Angra’s New Album – Aqua August 20, 2010 at 7:28 PM
Finally, back to commenting on music! Time is a more precious commodity for me these days, but I am starting to regain the time to listen to music again, and the next in line under my watchful eye is the Brazilian power/progressive metal band Angra, which is back after their hiatus to deliver another album for our listening. Keep in mind though, this album treads different grounds than their previous ones, with less aggressive songs & more of a more overarching feel to it. Lyrically, this album is weak given the combination of the lyrics & the rest of the music itself, but the music separate from the lyrics is arranged quite nicely.
After an intro, the album kicks off with Arising Thunder, which is a track that exhibits a more neoclassical flair to it, but showcasing some vintage Angra.
The second song, Awake From Darkness, is mostly in a little more slower vein, but it contains one of the most awful transitions I’ve heard from a professional level artist that I haven’t heard in a song since perhaps a song by Franz Ferdinand (who can’t make songs of the calibur Angra has done). I’m not quite sure what gave them the idea to end the song, and then start back up with a piano before launching back into the song a little while later. The song title might offer a clue, but it still is incongruous – there is a disconnect here that I do not believe has been carried out well.
The third song, Lease of Life, is a generic ballad.
The fourth song, The Rage of the Waters, is more of what one might expect & love from Angra, full of energy & intrigue. It doesn’t do anything special though, so don’t come expecting that.
At this point, the album takes a twist towards an increased ethnic flair, which is evident from the start of the fifth song, Spirit of the Air. This ballad emphasizes more of the gentler passion which carries over from various songs found in the Temple of Shadows album, although to lesser effectiveness.
The next song, Hollow, starts off with a soundscape appropriate to its name, but then shifts to a more lighter sound, which unfortunately is incongruous with the subject matter.
The seventh song, A Monster in Her Eyes, is a solemn song, but it is quite easy to be deceived by how the song progresses. It also is fraught with some broken English, although that is more forgivable considering this is a Brazilian band. I can’t say that the progression makes much sense in this song given the lyrics, which is a shame since there are some good ideas here.
The eighth song, Weakness of a Man, also suffers from the difference between the arrangement & the lyrics, with some strong words but more tame music to accompany it. The music apart from the lyrics is quite nice, as expected.
The final song, Ashes, is more appropriate musically, but the lyrics is a mess, as it contains ideas that are in direct opposition to each other.
This album is more limited by the band’s command of English than anything else. Musically, the band is still quite excellent & show a great capacity for creativity, but the mesh of lyrics taints the purity of many of the songs. It’s still worth a look into, but be aware that there are shortcomings that comes with the territory in exploring music made by those who aren’t experts at English.
For those who don’t know much about the band, a better start would be the albums Rebirth or Temple of Shadows. Angra showcases some of the great qualities of music in the power metal genre in those albums.